AT THE FEET OF THE MOTHER
Ask Alok da

I have a difficulty in understanding the modifications of Panchmahabhoots. I could understand vibration in Akashtattva led to Agnitattva. The next modification from Agnitattva – containing only heat to element containing totally opposite in quality i.e. Jalatattva is difficult to understand. In between are there any stages of converting/producing totally different element with an intention to produce a rigid tattva i.e. Prithvi tattva 🌍?

Akash tattva is an endless expansion created by the waves or vibrations emanating from Nada. But this endless expansion can create Space but not forms and objects. So the waves or vibrations modify themselves so as to create not uniformly spreading waves but criss crossing patterns. This is the Vayu or aerial tattva. It creates directions but not yet forms. This mutual interaction of waves and vibrations becomes intense releasing tremendous energy and thus gets modified into Agni tattva or fire which is energy giving rise to heat and light.  Here we have first forms that are not stable enough.  By cooling down this intense energy due to concentrated vibrations changes into jala tattva or flowing elements or water. This further condenses by the vibrations getting coalesced and crystallized to give birth to Prithvi tattva or earth which then becomes the basis for first stable forms. In the forms thus created all the other elements are there. Thus prthvi tattva is present as the force of gravity binding and giving rise to mass and weight, jala tattva is present as the force of attraction and repulsion within the atom, agni as the nucleus, vayu tattva is present in the wheeling motion and the Akash tattva in all the empty spaces within and outside. 

There are the five corresponding senses to receive these modified vibrations to give shape to the object in collusion with the mind. The ear receives the nada vibrations of Space, eye the light and heat generated by the fire, touch receives the aerial contact, tongue the water and smell the earth element. 

That completes the picture. 

Affectionately,

Alok Da

Share this…

Related Posts

When Sri Krishna played Raas Leela with Gopis who were married and had left their husbands and children, He was hardly 10 years old. How could they be roused by Krishna’s beauty with romantic feelings towards a child who is like their son, if not like a younger brother? 🪈🙏🏻 […]

The Bhagawat Purana is written by a Rishi no less than the calibre of Vyasa. The entire Purana is profound in its depth, spiritual and occult understanding. To take it literally is to rob it of its real sense. The gopa and gopis are the divine souls who came down with Sri Krishna to open the path of bhakti, of utter abandonment and surrender to the Divine for man to follow…

Read More >

I am wondering if you have anything to say on the order of practice. And in the relation to quite detailed descriptions of processes, with a certain order and division, we may see this in Sri Aurobindo’s writing on the Sapta Chatusthaya, and in the Mother’s sometimes very simple quotes on simply remaining open to her. 📖🙏🏻[…]

The Saptachatustya described in the Records of Yoga is the program given to Sri Aurobindo as part of his personal sadhana. 

Its general version applicable for every sadhaka has been described in The Synthesis of Yoga in the book on the yoga of self-perfection…

Read More >

I understand that we should live in the present moment and remain open to the Divine Will. However, I find it difficult because I do not really enjoy the work I am presently doing. How can I remain peaceful, sincere, and open to the Divine while being fully present in a work that I do not enjoy? 🌱🙏🏻

The Gita gives us the complete answer to this problem. 

First thing is to take up an activity that is in line with your swabhava, your innate temperament. If one does not know that then one should study oneself, one’s interests, tendencies, natural qualities and capacities and try to see how they can be best put to use in the work you are doing…

Read More >