We can look at Time as a sort of cosmic Manager and Space as the cosmic stage. The objects and are the words and letters of the Script. The author is the Divine and His Shakti. The various actors in all the different worlds are part of the grand epic. Of course, He Himself has become all this.
Now the plot has been conceived in a state of eternal Time, which is one mode of Kalatita awastha. By eternal time is meant that each beat or pulsation of creation is a perfect manifestation of the Divine Knowledge and Will. It is here that the play has its origin. But trikalateeta is also the state beyond any kind of manifestation.
Then from there it enters into cosmic Time and Space, where the entire script and the sequence is ready. This too is trikalatita, where one knows all that is going to happen in the future as well as all that has happened earlier.
Next it enters into several Time Space domains with its multiple actors until the event takes place in its most outward form.
Affectionately,
Alok Da
Source: ΰ€―ΰ₯ΰ€°ΰ₯ΰ€ͺ, ΰ€ΰ€Άΰ€Ώΰ€―ΰ€Ύ ΰ€ΰ€° ΰ€Έΰ€€ΰ€―ΰ₯ΰ€ | ΰ€Άΰ₯ΰ€°ΰ₯ ΰ€ ΰ€°ΰ€΅ΰ€Ώΰ€¨ΰ₯ΰ€¦ ΰ€ΰ₯ ΰ€ΰ€΅ΰ€Ώΰ€·ΰ₯ΰ€― – ΰ€Έΰ₯ΰ€ΰ€ ΰ€ΰ€Ύΰ€΅ΰ₯ΰ€― (2) | TH 452
YT Link: https://youtu.be/Otb3lYCcowE
