AT THE FEET OF THE MOTHER
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Mahabharata

I remember once reading in Sri Aurobindo’s commentary on the Isha Upanishad that one cannot become a Brahmin without first becoming a Kshatriya. I believe that I never had the Kshatriya element developed sufficiently within me, and it has always been a source of embarrassment and insecurity for me as a man. ๐Ÿ’ช๐Ÿ™๐Ÿป๐Ÿชท[…]

He said both are needed. But these are things ingrained within us. Brahmin and Kshatriya are not soul states, inner innate temperaments and not so

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How to be involved in day-to-day activities with a mind engaged in consecration to the Divine, as one can focus on one thing at a time, or what should be the state of mind during worldly activities? Or how to constantly have the remembrance of the Divine during worldly affairs?๐ŸŽฏ๐Ÿง๐Ÿค”๐Ÿง ๐Ÿน[…]

It is natural that this would happen in the beginning. What one should practice initially is to remember the Divine inwardly before and after the

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Is the filmย Dhurandharย suitable for women and children despite its adult-rated violence and smoking scenes, and how does Sri Aurobindoโ€™s and The Motherโ€™s perspective on “moral violence” versus the necessity of strength and self-defense justify the portrayal of such elements in art?๐ŸŽฌ๐Ÿฟ๐Ÿค”๐Ÿฆ‹โœจ

If we go by these standards of Gandhian non-violence then the Ramayana and the Mahabharata would be banned because all these things and more are

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Iโ€™m just starting to read Savitri๐Ÿ•Š๏ธ, and was just wondering about the general and deeper synopsis. The story itself is based on a story from MahaBharata? But Iโ€™ve heard some people say also that though the story is based on that, that Savitri is the representation of the spiritual evolution of the Soul and Satyavan is the Spiritual Destiny? Iโ€™m a bit confused on the grand symbolic meaning of the epic.

As to the story of Savitri and Satyavan it is narrated in the Mahabharata as well as Brahmvaivarta Purana as a tale of conjugal love

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