When Sri Krishna played Raas Leela with Gopis who were married and had left their husbands and children, He was hardly 10 years old. How could they be roused by Krishna's beauty with romantic feelings towards a child who is like their son, if not like a younger brother? 🪈🙏🏻 [...]

This is very disturbing and not harmonising with the age and position of the Gopis. When time permits, please clarify.

The Bhagawat Purana is written by a Rishi no less than the calibre of Vyasa. The entire Purana is profound in its depth, spiritual and occult understanding. To take it literally is to rob it of its real sense. The gopa and gopis are the divine souls who came down with Sri Krishna to open the path of bhakti, of utter abandonment and surrender to the Divine for man to follow.

Here are some words of The Mother and Sri Aurobindo that reveal its deeper significance.

‘The seeker after divine knowledge finds in the description of Krishna stealing the robes of the Gopis one of the deepest parables of God’s ways with the soul, the devotee a perfect rendering in divine act of his heart’s mystic experiences, the prurient and the Puritan (two faces of one temperament) only a lustful story. Men bring what they have in themselves and see it reflected in the Scripture.

483—My lover took away my robe of sin and I let it fall, rejoicing; then he plucked at my robe of virtue, but I was ashamed and alarmed and prevented him. It was not till he wrested it from me by force that I saw how my soul had been hidden from me.

Let us drop our robe of virtue so that we may be ready for the Truth.’

22 April 1970

Affectionately,

Alok Da

When Sri Krishna played Raas Leela with Gopis who were married and had left their husbands and children, He was hardly 10 years old. How could they be roused by Krishna’s beauty with romantic feelings towards a child who is like their son, if not like a younger brother? 🪈🙏🏻 […]

October 9, 2026

I am wondering if you have anything to say on the order of practice. And in the relation to quite detailed descriptions of processes, with a certain order and division, we may see this in Sri Aurobindo’s writing on the Sapta Chatusthaya, and in the Mother’s sometimes very simple quotes on simply remaining open to her. 📖🙏🏻[…]

October 9, 2026

The Saptachatustya described in the Records of Yoga is the program given to Sri Aurobindo as part of his personal sadhana.

Its general version applicable for every sadhaka has been described in The Synthesis of Yoga in the book on the yoga of self-perfection…

I understand that we should live in the present moment and remain open to the Divine Will. However, I find it difficult because I do not really enjoy the work I am presently doing. How can I remain peaceful, sincere, and open to the Divine while being fully present in a work that I do not enjoy? 🌱🙏🏻

October 9, 2026

The Gita gives us the complete answer to this problem.

First thing is to take up an activity that is in line with your swabhava, your innate temperament. If one does not know that then one should study oneself, one’s interests, tendencies, natural qualities and capacities and try to see how they can be best put to use in the work you are doing…

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When Sri Krishna played Raas Leela with Gopis who were married and had left their husbands and children, He was hardly 10 years old. How could they be roused by Krishna’s beauty with romantic feelings towards a child who is like their son, if not like a younger brother? 🪈🙏🏻 […]

This is very disturbing and not harmonising with the age and position of the Gopis. When time permits, please clarify.

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When Sri Krishna played Raas Leela with Gopis who were married and had left their husbands and children, He was hardly 10 years old. How could they be roused by Krishna’s beauty with romantic feelings towards a child who is like their son, if not like a younger brother? 🪈🙏🏻 […]